latest blog post

  • balance for better

    profile #1 
    sharon alpren: ceramicist 

    Photographer Andrew Craig

    with an english background, did you notice a difference in equality issues or awareness from england to australia?

    i think gender bias is an ongoing issue in the arts although when i moved from the uk to australia 15 years ago I did not particularly notice a difference in that respect between the two countries in the field of ceramics. however society and culture in the uk, especially in london where i grew up, is far more diverse and multicultural than it is in australia, and this seems to be reflected in the greater variety of work created over there, whereas in australia it seems more homogenised. The uk also has a very long history and tradition of ceramics which i think has lead to a greater awareness of ceramics in general, respect for the craft, and appreciation of quality and value.

     

    with running a business as a successful ceramicist and artist what advice would you give yourself if you were to write a letter to yourself say 10-15 years ago?

    i would advise the me of 10-15 years ago to be very patient, because ceramics is a really slow process, and to be ready for plenty of loss and frustration as the failure rate can be quite high. i would tell myself to take lots of notes and never throw them away, as i’ve found myself returning to old ideas and glaze recipes years later. Also to stay fit and strong as ceramics has been unexpectedly physical, and hard on the back and wrists in particular. I would advise myself to develop the business alongside the work itself, and not leave it as an afterthought as many of us makers tend to do. and I would also tell myself to be very wary of copper, because i’ve learnt the hard way that just a tiny amount in the glaze on just one little pot in a kiln has the power to turn everything pink.

    Photographer Andrew Craig

    have you had in the past or currently have a mentor or person who has guided you or taught you lessons? what has been the pivotal teachings you have learnt to date? 

    i have had a number of teachers which, technically speaking, has been very helpful, as everyone does things a little differently. though the teacher that has been most influential, and who remains a mentor today, is melbourne ceramicist shane kent, who taught me for a few years when I first moved to melbourne. He really encouraged me to follow my own path at a time when most other ceramicists were making very fine pieces from porcelain. he taught me the importance of following my instincts, of making things i love, and being authentic to myself and the materials.

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    profile #2
    juliette: designer + co-founder arent & pyke

    what does being a co-founder of a female dominated and led business as arent pyke mean to you?

    not for a moment, did i think 12 years ago when we started our business that we would be set apart from men performing the same role in the same type of business. I have often had reason to doubt this belief over the years, however the strength in us both being women who lead a team of designers of all women does feel very much like we are part of something bigger than just the work that we produce.

    photograph by Hugh Stewart 
    how do you relate to the phrase of this years international women’s day, “balance for better”?

    to me, it is all about finding gender balance across all spectrums. currently, there is a burning desire in our all of our lives to find balance, to get the balance right, but on a very small scale I find that balance for better is really a wonderful notion for men to be fully embracing. on a domestic level, gender parity means there is an awareness and appreciation of the very important role many of us (have chosen) and are tasked with - being the emotional, physical and spiritual guardians of our children - who are the leaders of tomorrow that will continue this movement.
    to forge a bright future for women locally and internationally, we must set a new example to our children. boys and girls.
    photograph by Anson Smart - editorial styling by Steve Cordony

    what do you see in the future of your industry and how we can improve equality within the workforce?

    female designers, architects, artists and artisans who forge their own path, speak the truth and command attention while doing so are the ones that will expect nothing less than equality in the workforce. for the future I see more empathy, more flexibility and more intelligence when it comes to gender parity.

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    profile # 3 – ross longmuir (director / designer planet)

    ross, how have you seen society change since you’ve been in business with planet in regards to gender equality with the makers you collaborate with to the staff you employ or the clients you work with?

    we are so lucky that in australia, there are so many ways to be a woman today although the road to respect and freedom for all people requires effort from the entire community, including all genders. It seems to me that there are increasingly complex gender issues that we have all become more aware and respectful of. we should all be wary of stereotypes and particularly of our own conformity to perceived rigid roles. for some sections of the community there are increasing options for how women are living their lives, which is a great reason to celebrate, while there is also at the same time there is a strengthening binary notion of gender for others, that I frankly find a bit scarey. we are all part of the community that empowers everyone to be authentic and true to themselves

    balance for better the phrase of women’s international day 2019 is a year long activity and collaboration. this theme provides a unified direction. 

    when i think about balance for better as the theme of 2019 women’s international day in 2019, I realize how important the power of love is. we all know instinctually know that loving is always more powerful than any other behavior and a woman’s ability to tap into this resource keeps us all on track.

    as international women’s day is a global day celebrating social, economic, cultural and political achievement of women - who are some women that inspire you (past or present) and why?

    celebrating women is a great thing to do on any day. at planet i am fortunate to speak to clients and suppliers all day and the incredible diversity of our female clients and suppliers and staff is always a thrill. my first thought is of the hundreds of women from around the world that make products for our showroom. women who labour to create useful beautiful items that bring enduring delight to our clients. often love is built into their crafting as they build the security of their families and communities and I also think of the laughter and connection that I have been part of as I work with women in villages in india to create items.

  • finding yourself at home...

    thanks for another great year with planet...we love our interactions with clients and thankyou for all of your interest and support in 2018...

    we are open our regular hours until christmas... and afterwards we are closed for all public holidays as well as for january we will be closed sundays and mondays

    it was a huge year for ceramic tableware once again with an expanded range of tableware from our australian makers, supplemented with vintage japanese pieces

    we loved creating new pieces for you this year... carpets, blankets, scarves, cushions and quilts as well as so many fully customised pieces of furniture

    thanks saeed our amazing photographer for all of his beautiful images this year... keeping you all entertained and informed

    thanks for those of you who could join us for our beautiful indian summer party in november. it was lovely having a big group together to celebrate..... for no particular reason at all.... with tabla and sitar, poetry from bhupen thacker and flowers by sandy jumikis

    once again we loved showing you beautiful paintings from ernabella in the apy lands of the central desert....and as you probably know, the full benefit of the sale price is returned to the community

     

  • green

    china is home to a centuries old buddhist tradition. this seated temple bodhisattva (an enlightened being who is in the physical world to benefit others) is from central china in the period of the emporer 'chien lung'  (1780-1840) and is carved timber  with traces of paintwork and comes with a certificate of authenticity. the green porcelain vintage vessels are japanese.

    this japanese vessel has an oribe glaze with great luster. it has been hand-thrown and altered in porcelain and perfectly displays a japanese intersection of a sense of control meeting a certain looseness in execution.

    these cushions are digitally printed in either velvet or linen, each one is unique

    the cabinet below was a custom design for a home entrance alcove. our solid engineered spotted gum allows us to built quality that will be incredibly robust, while having panels which stay stable. over time the surface will also develop a rich patina and become even more beautiful

    entitled malilanya, this painting in acrylic by inawinytji stanley is a creation story from the the ernabella community of the apy lands. we are honoured to be able to present paintings expressing traditional stories in this way. and as you may know already, the full price of these works benefits the community, with the normal margin paid to the artist and our usual retail margin donated to a dialysis charity to assist people living in community

  • pale carpet collection

    many clients have asked us for paler carpets .... so we listened and went on a journey and had a fresh collection made for you in india... the home of natural fibres and elaborate hand loomed carpets for centuries....


    the wool hand loomed pieces above are 100% wool pile and are made for us in three sizes.

    the top of our range would be this pure silk pile, double persian knotted style.

    the loom is vertical so the pile is pulled in one direction to create a nap, so there is a lovely movement in the pile. its made near varanasi in northern india.

    they are repeatedly washed to keep the colour and shape stable.


    in one pastel colour each they, have have an ultimate look of understated luxury and feel absolutely spectacular..

    the musky pink found a permanent home on its first day in our showroom.. but we can make a huge range of colours on order... perhaps navy blue, or deep emerald? 

    definitely for the good room...

    a lovely maker from agra made these flat-weave silk dhurries for planet.........I have never seen this done before.

    they are so elegant and understated with natural colour variation.

  • a few recent new designs

    at planet we offer a design service to create original pieces for particular spaces. hundreds of original designs are produced by planet every year and most go undocumented..... this particular client wanted a piece for his office to hold folders that are not particularly attractive, so I came up with a rotating shelf for the corner of the space...so that they could be hidden if desired. the strength of our solid engineered spotted gum makes this design possible..... and it relates to our dalsace desk  that he has, perfectly.

    some designs are evolutions of other successful pieces. our twisted table range is a reduction of structure by eliminating the need for an extra sub frame because the legs interlock to do this work. this elliptical coffee table works well as the centre piece of a room, with no sharp corners, and the legs are recessed so that they are easy to move around also

    the quilted cabinet was designed for a particular client who didn't quite make the effort to come to look at what I had designed for them.......but I was happy enough to have it built anyway. our solid engineered spotted gum allows complicated angles in our joinery to be executed beautifully and will ensure that the piece continues to improve over time. employing the timber itself as a decorative element reminds clients of deco influences, but I think that its still completely contemporary.

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